故事发生在17世纪。赫丝特(黛米·摩尔 Demi Moore 饰)离开丈夫,孤身一人来到马萨诸塞湾的英属殖民地定居。在这里开拓的英国人信仰坚定,恪守清规,赫丝特的一些举动在这压抑的殖民地环境下颇为引人注目。当地的牧师阿瑟(加里·奥德曼 Gary Oldman 饰)英俊而富有激情,赫丝特为他的神采深深吸引,两个性情相投的人很快陷入了危险的热恋。不久殖民地方面接到了赫丝特的医生丈夫被印第安人杀害的消息,本以为可以公开关系的一对恋人等到的却是东窗事发,赫丝特为保护阿瑟,拒绝供认通奸者,自此被投入监狱直至产下一名女婴,而阿瑟则在监狱外日日承受心灵的拷问……出狱后的赫丝特戴上了通奸者的耻辱标志,同时她大难不死的丈夫突然现身,誓要将通奸者揪出以发泄心中怒火……
A listless grand-daughter, Chance Sinclair (Avery Konrad), is sentenced to live with her draconian grand-father, August (Timothy V. Murphy) after a violent incident at school and begins to question the source of her families immense wealth and power. When Chance's scheming Mom, June (Annette Reilly), hires a troubled chef, Sydney (Johnathan Lipnicki), to poison August, the family's monstrous secrets are revealed over the course of one bloody night. Every soul is up for grabs as The Sinclair Family Games Night gets underway and Chance learns that being apart of this family is a blood-in, blood-out proposition.
麦克白将军(迈克尔·法斯宾德 Michael Fassbender 饰)是苏格兰国王邓肯(大卫·休里斯 David Thewlis 饰)的表弟,在外抵御外敌平反谋乱,战功赫赫,某日归国途中,遇见了三个女巫,女巫预言麦克白将会加官进爵,此言令麦克白心中蠢蠢欲动。然而,最终将要继承王位的,却是班柯将军(帕迪·康斯戴恩 Paddy Considine 饰)的儿子。在妻子(玛丽昂·歌迪亚 Marion Cotillard 饰)的怂恿之下,麦克白杀死了国王,登上了王座,为了保住王位和弑君的秘密,麦克白的双手沾满了鲜血,班柯将军、麦克德夫夫人(伊丽莎白·德比齐 Elizabeth Debicki 饰)和她的孩子均死在了麦克白的屠刀之下,而麦克白亦在疯狂的道路上渐行渐远。
赛迪(布里安娜·希尔德布兰 Brianna Hildebrand 饰)和麦凯拉(亚历山德拉·西普 Alexandra Shipp 饰)是青梅竹马的好友,两人共同创办了名为“悲剧女孩”的推特公众号,报道当地发生的大大小小的杀人案件,并且试图追踪案件背后的真相。
两个姑娘最大的愿望就是希望她们的公众号能够一炮而红,甚至为了有能够报道的新闻而不惜成为凶杀案的制造者。可是,很快她们便发现,对于这些她们亲手犯下的罪案,当地警方总是以“意外”为幌子试图隐瞒案件。乔丹(杰克·奎德 Jack Quaid 饰)是赛迪和麦凯拉的“助手”,帮助她们剪辑和发布视频,与此同时,乔丹也是警长布兰恩(蒂莫西·墨菲 Timothy V. Murphy 饰)的儿子。终于,“悲剧女孩”走红了,但同样飘红的,还有两个女孩之间的友情。
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives… In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats. There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching “I don’t need drums. I am drums! About the director Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.