卡尔·韦弗(史蒂夫·卡瑞尔 Steve Carell 饰)人到中年,中年危机如约到来——妻子艾米丽(朱丽安·摩尔 Julianne Moore 饰)提出离婚,令他面对儿女不知所措。重回情场的卡尔发现自己已经脱离男欢女爱的时代了,幸而遇到泡妞高手雅各·帕尔默(瑞恩·高斯林 Ryan Gosling 饰),帮他重整行头,教他当今最时髦的方法俘获女人芳心。卡尔重战情场了,反而是雅各遇上感情烦恼,他遇见一个叫汉娜(艾玛·斯通 Emma Stone 饰)的姑娘,令他发现真爱原来和招数、游戏根本无关,他不再在意是否“泡到”她,宁愿和她聊一整夜。女人缘变好的卡尔渐渐发现家庭仍是自己最大牵挂,雅各渐渐发现自己愿意为汉娜放弃花花公子的日子,加上卡尔13岁的小儿子也开始情窦初开为爱烦恼,爱有多疯狂,又有多愚蠢,在汉娜邀请雅各回家吃饭的那刻,终于见了分晓……
一个破产的年轻人为避开社交互的隐居客户找一份替身工作。与此同时,他和一个在酒吧认识的同事擦出了浪漫的火花。但是当他的客户开始干涉他的私人生活时会发生什么呢? A broke young man takes a job as a stand-in for his reclusive client, who avoids social interactions. Meanwhile, he sparks a romance with a coworker he meets at a bar. But what happens when his client starts meddling in his personal life?
贝茜•布鲁姆(凯特温斯莱 Kate Winslet饰)是纽约某新闻杂志的知名记者,她接到了一个任务是去采访一名死刑犯大卫•戈尔(凯文•斯帕西 Kevin Spacey 饰)。戈尔的罪名是强奸并谋杀了康丝坦斯•哈拉维,并将于周五下午6点被处以死刑,那么布鲁姆将要采访并记录的就是戈尔人生最后的三天,而此前戈尔拒绝了一切采访。布鲁姆起初对这个任务很不以为然,但在和戈尔的接触过程中,她发现一切并非表面呈现的那么简单,于是布鲁姆决定用仅剩的三天开始寻找真相……
布朗博士(克里斯托弗•洛伊德 Christopher Lloyd 饰)总是有些稀奇古怪的发明。在一次试验他发明的时光机器时,他找来了忘年交高中生马丁(迈克尔•J•福克斯 Michael J. Fox 饰)。岂料实验过程中博士被歹徒杀害了,马丁慌乱中架着时光机逃跑,回到了30年前。 马丁遇到了30年前的父亲乔治(克利斯丁•格拉夫 Crispin Glover 饰)和母亲洛莲(莉•汤普森 Lea Thompson 饰)。马丁一边找寻30年前的布朗博士,好让自己回到未来;一边尽力撮合乔治和洛莲,以免自己在以后消失了。但乔治为人懦弱,马丁在撮合过程中弄巧成拙让洛莲爱上了自己。还有令人讨厌的贝夫从中作梗,令马丁恼怒不已。 马丁周旋在他的双亲之间,还要尽快找到博士,想办法回到未来……
This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.