Eun-gi's eventful life in a boarding house has begun with the three ladies a sexy owner of a boarding house, her daughter who is even sexier, and his innocent first love. Eun-gi, a freshman, has found his new place in a boarding house operated by mother and daughter when he came to Seoul to study. His only pleasure is to play along in the unspoken push-and-pull relationship with the mother or the daughter. One day, his first love, Soon-yi, who is innocent and docile, suddenly comes to visit him at the boarding house. With the sexy daughter of the boarding house behind the door, and the curvaceous lady owner of the boarding house in the bathroom next to his room, the 20-year-old virgin Eun-gi's sleepless night begins.
《伟大的梅里爱》(Le Grand Méliès,乔治·弗朗叙,1953年|25分钟|35毫米|黑白|有声)以纪录与虚构交织的手法讲述了另外一电影先驱乔治·梅里爱的故事。与卢米埃尔不同,梅里爱发现了电影具有表现魔幻效果的可能性,通过亲身实践为电影艺术打开了想象力的大门。本片不仅选用梅里爱的许多电影作品片段,以便阐释梅里爱的电影魔术和特技的诞生过程,而且邀请到了梅里爱的儿子在影片中扮演梅里爱,以便更好地讲述这位伟大的创造者是如何被竞争对手挤垮的。影片结尾,导演借助梅里爱夫人前往丈夫生前落魄时开的店铺卖花献给长眠在贝尔·拉雪兹公墓的丈夫这个场景,向电影史上这位伟大的革新者表达了敬意。本片导演乔治·弗朗叙(Georges Franju,1912—1987)年轻时曾在保险公司工作,当过面条加工厂的包装工和剧院的道具工,在遇到亨利·朗格卢瓦之后涉足电影事业,与之成为法国电影资料馆的主要创始人。1938年,他开始担任国际电影资料馆联合会执行秘书。1945年至1953年,他在担任法国科学电影学院秘书长期间开始拍片,成为当时法国著名的纪录电影学派“三十人集团”(详见后文)的重要人物,主要作品有《禽兽之血》(1949)、《途经洛林》(1950)、《荣军院》(1952)、《伟大的梅里爱》(1953)、《居里夫妇》(1953)。他从1958年开始转拍故事片,著名作品有《头撞墙》(1959)、《没有面孔的眼睛》(1960)等。弗朗叙的电影作品,在风格方面继承诗意现实主义传统,秉承超现实主义精神;在内容方面致力于揭露机构社会的虚伪,寻求个人的自由和梦想的自由。
一卷神秘的中国古代卷轴,由于蕴藏着巨大的力量,邪恶的坏蛋们个个都想得到它来统治世界;一个来自中国西藏的无名武僧(周润发 饰),为了保护着卷卷轴,一直过着颠沛流离的生活,他几乎躲遍了世界的每一个角落。直到有一天,武僧觉得累了,于是,他开始物色合适的人成为自己的弟子,将这个艰巨的任务继承下去。街头混混卡尔(西恩•威廉•斯科特 Seann William Scott 饰)偶然中帮武僧解了围,或许是心灵感应,武僧感应到这个混小子就是自己的传人了,于是决定将一身武功传给卡尔。卡尔开始了他对抗邪恶的艰难宿命。
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